Film

Thanks to the Humanities Coronavirus Syllabus project @ Northeastern University; titles are linked to IMDB and streaming information.

Nosferatu (1922), F. W. Murnau

I Walked with a Zombie (1943), Jacques Tourneur

Invasion of the Body Snatchers (1956), Don Siegel 

The Seventh Seal (1957), Ingmar Bergman

The Andromeda Strain (1971), Robert Wise

The Cassandra Crossing (1976), George P. Cosmatos

Invasion of the Body Snatchers (1978), Philip Kaufman

Nosferatu The Vampyre (German: Nosferatu: Phantom der Nacht) (1979), Werner Herzog

An Early Frost (1985), John Erman

Common Threads: Stories from the Quilt (1986), Jeffrey Friedman and Rob Epstein

Longtime Companion (1989), Norman René

And the Band Played On (1993), Roger Spottiswoode

Philadelphia (1993), Jonathan Demme

12 Monkeys (1995), Terry Gilliam

Outbreak (1995), Wolgang Petersen

The Hole (1998), Tsai Ming-liang

28 Days Later (2002), Danny Boyle

The Hours (2002), Stephen Daldry

Yesterday (2004), Darrell Roodt

Children of Men (2006), Alfonso Cuarón

Rent (2006), Chris Columbus

The Host (2006), Bong Joon-Ho

The Witnesses (2007), André Téchiné

Blindness (2008), Fernando Meirelles

The Happening (2008), M. Night Shyamalan

The Crazies (2010), Breck Eisner

Contagion (2011), Steven Soderbergh

Perfect Sense (2011), David Mackenzie

Rise of the Planet of the Apes (2011), Rupert Wyatt

We Were Here (2011), David Weissman

How to Survive a Plague (2012), David France

World War Z (2013), Marc Forster

Dallas Buyers Club (2013), Jean-Marc Vallée

Pride (2014), Matthew Warchus

The Normal Heart (2014), Ryan Murphy

Train to Busan [Busanhaeng] (2016), Sang-ho Yeon

Pride and Prejudice and Zombies (2016), Burr Steers

Grain [Buğday] (2017), Semih Kaplanoğlu

It Comes At Night (2017), Trey Edward Shults

Annihilation (2018), Alex Garland

BPM: Beats per Minute (2018), Robin Campillo

COVID-19, Contagion, and Vaccine Optimism by Kelly McGuire “explores how pro-vaccination cultural products ​such as Contagion might in fact undermine public health efforts by promoting a false narrative, which simplifies the kind of vaccination campaign necessary for herd immunity to develop. An ethic of sacrifice and selflessness drives the public health messaging of the film but leaves intact certain individualistic tropes and plague narrative scapegoating tendencies” Journal of Medical Humanities, 2021 Mar;42(1):51-62. doi: 10.1007/s10912-021-09677-3.